“Natural wine” is a popular buzzword these days, one with varied definitions and no lack of controversy. Whatever you take it to mean — biodynamic, no sulfites, organic, unfiltered — the goal is the same: to create wine with little intervention between grape and glass.
People sometimes ask why we’re so drawn to Burgundy. Partly it’s nostalgia — we lived here for a year two decades ago, and have a fondness for the place and its people. But our goal at Ansonia is to find wines that reflect their origin, and no region does this better than Burgundy.
We spent yesterday morning in Chablis, where winemakers were just finishing a difficult week. After eight consecutive nights fighting damaging frosts, the Chablisiens were sleepy but tentatively optimistic that the worst was behind them.
This week in France has been a reminder of the precarious livelihoods of winemakers. Overnight frosts devastated vineyards in several regions in France this week, and the vignerons aren’t out of the woods yet. As we drove through the Côte d’Or yesterday, winemakers were readying bales of hay in the vineyards, in preparation for the overnight bonfires to protect against the cold.
Northern Rhône and Beaujolais
This morning we visited our Northern Rhône producers, tasting wines from Crozes-Hermitage, Saint-Joseph, and Côte Rôtie. Winemakers here are basking in the glow of the 2015 vintage, said to be the best in 55 years. We don’t have quite that long a memory, but from this morning’s tastings we can confirm that this is an extraordinary vintage.
There’s something exceptionally pleasant about the pace of life in the South of France. Since arriving Sunday afternoon we have eaten five of our six meals outside, under clear blue Provencal skies and a gentle, refreshing breeze. Winemakers greet us with quick smiles and warm welcomes. Even the often sullen waiters seem a bit more at ease (as long as you don’t need your check fast).
Châteauneuf-du-Pape Four Ways
Day One: Paris to Avignon
In 1895, at age 56 impressionist painter Paul Cezanne had his first solo show in Paris. His 150 paintings were a revelation to artists and collectors, and the show secured his place as a leading artist of his time. But despite his first real commercial success, Cezanne returned south to live out his final decade in his beloved Provence.